![]() That's definitely a sign that the Artist Control has become an integral part of my mixing routine. This is when the Artist Control really starts to make you feel like you've got a very fancy board in front of you. When working in another room without this interface, I often find my hand reaching for the Artist Control, feeling disappointed when I realize I don't have all of that functionality at my finger tips. The rotary knobs make switching back and forth between all of these windows a pretty intuitive process and having the visual feedback of each setting on the touch screen means not needing to change my track view in Pro Tools to see what I'm doing. Besides relying heavily on all of the above functions, I will also dig into the Send and EQ sections pretty heavily. When it comes time to prep a project for the stage, I do all of my predubbing on the Artist Control. These touch sensitive controls paired with my custom automation window soft keys allow me to fly on the board and keep my work day moving. I also make a habit of working out complex panning (divergence, center %) using the rotary encoders. Once you get used to how the Artist Control automatically maps the selected and following three tracks to the board, these four faders become extremely valuable. A polished final product is always going to play better for our clients, and having the four faders and complex panning section at my fingertips makes the choice to premix my work very easy. Premixing During EditorialĪt Boom Box Post, we make a point of premixing all of our work as we cut. As with the physical soft keys, I try and use the Artist Control to fill gaps I can't cover with key commands. In addition, I have touch buttons programmed for my other commonly used functions in Pro Tools, such as changing track automation modes, group suspension and deletion and even my most commonly used import functions. ![]() I've programmed the top few rows of the Artist Control Touch screen to call up each of these markers, essentially creating a VCA spill function, making this workflow hack even more efficient. ![]() By calling up these markers, I can get to the tracks I'm working with quickly and efficiently. One of my favorite workflow tricks is utilizing markers to show specific groups of tracks (you can do this by checking the 'Track Show/Hide' box in the markers window). ![]()
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